Meaning of Brahman

The change of the Brahmana into the Aranyaka thought is signified by a transference of values from the actual sacrifices to their symbolic representations and meditations which were regarded as being productive of various earthly benefits. Read more

Gaudapada and Mandukya Upanishad

Gaudapada’s work is divided into four chapters: (1) Agama (scripture), (2) Vaitathya (unreality), (3) Advaita (unity), (4) Alatashanti (the extinction of the burning coal). The first chapter is more in the way of explaining the Mandukya Upanishad by virtue of which the entire work is known as Mandukyakarika. The second, third, and fourth chapters are the constructive parts of Gaudapada’s work, not particularly connected with the Mandukya Upanishad. Read more

Shakti

Shakti is both maya, that by which the Brahman creating the universe is able to make Itself appear to be different from what It really is, and mula-prakriti, or the unmanifested (avyakta) state of that which, when manifest, is the universe of name and form. It is the primary so called “material cause,” consisting of the equipoise of the triad of guna or “qualities” which are sattva (that which manifests) rajas (that which acts), tamas (that which veils and produces inertia). The three gunas represent Nature as the revelation of spirit, Nature as the passage of descent from spirit to matter, or of ascent from matter to spirit, and Nature as the dense veil of spirit. The Devi is thus guna-nidhi (”treasure-house of guna” ). Read more

Correspondence Between Macrocosm and Microcosm

The universe consists of a Mahabrahmanda, or grand Kosmos, and of numerous Brihatbrahmanda, or macrocosms evolved from it. Read more

The Human Body – The Five Sheaths

The human body is Brahma-para, the city of Brahman. Ishvara Himself enters into the universe as jiva. Wherefore the maha-vakya “That thou art” means that the ego (which is regarded as jiva only from the standpoint of an upadhi) (1) is Brahman. Read more

Pranamaya kosa

The second sheath is the prana-maya-kosa, or sheath of “breath” (prana), which manifests itself in air and ether, the presiding elements in the Anahata and Visuddha-cakras. Read more

Manomaya, vijnana and anandamaya kosas

The next two sheaths are the mano-maya and vijnana kosas. These constitute the antah-karana, which is four-fold-namely, the mind in its two-fold aspect of buddhi and manas, self-hood (ahamkara), and citta. (1) . The function of the first is doubt, samkalpa-vikalpatmaka, (uncertainty, certainty); of the second, determination (niscaya-karini); of the third (egoity), of the fourth consciousness (abhimana). Read more

Worship

THERE are four different forms of worship corresponding with four states (bhava);(1) The realization that the jivatma and paramatma are one, that everything is Brahman, and that nothing but the Brahman exists, is the highest state or brahma-bhava. Constant meditation by the yoga process upon the Devata in the heart is the lower and middlemost (dhyana-bhava), japa and stava (hymns and prayer) is still lower, and the lowest of all mere external worship (puja). Read more

Mantra

Sabda, or sound, which is of the Brahman, and as such the cause of the Brahmanda, is the manifestation of the Cit-sakti itself. The Visva-sara-Tantra says (1) that the Para-brahman, as Sabda-brahman, whose substance is all mantra, exists in the body of the jivatma. It is either unlettered (dhvani) or lettered (varna). The former, which produces the latter, is the subtle aspect of the jiva’s vital sakti. Read more

Samdhya

The Vaidiki samdhya is the rite performed by the twice-born castes thrice a day, at morning, midday, and evening. The morning samdhya is preceded by the following acts. On awakening, a mantra is said in invocation of the Tri-murti and the sun, moon, and planets, and salutation is made to the Guru. The Hindu dvi-ja then recites the mantra: “I am a Deva – I am indeed the sorrowless Brahman. By nature I am eternally free, and in the form of existence, intelligence, and bliss. Read more

Nyasa

This word, which comes from the root” to place,” means placing the tips of the fingers and palm of the right hand on various parts of the body, accompanied by particular mantras. Read more

Sthirata – Mudras

Sthirata, or fortitude, is acquired by the practice of the mudras. The mudras dealt with in works of hathayoga are positions of the body. Read more

Satcakra Bheda

The piercing of the six chakras is one of the most important subjects dealt with in the Tantra, and is part of the practical yoga process of which they treat. Details of practice (1) can only be learnt from a Guru, but generally it may be said that the particular is raised to the universal life, which as cit is realizable only in the sahasrara in the following manner: The jivatma in the subtle body, the receptacle of the five vital airs (panca-prana), mind in its three aspects of manas, ahamkara, and buddhi, and the five organs of perception (pancajnanendriyas) is united with the Kulakundalini. The Kandarpa or Kama Vayu in the muladhara, a form of the Apana-Vayu, is given a leftward revolution and the fire wich is around Kundalini is kindled. By the bija “Hum,” and the heat of the fire thus kindled, the coiled and sleeping Kundalini is awakened. She who lay asleep around svayambhu-linga, with her coils three circles and a half closing the entrance of the brahmadvara, will, on being roused, enter that door and move upwards, united with the jivatma. Read more

Instruments of the Ego

Let us begin with a consideration of the instruments of the Ego, and the material with which and through which the Ego works. Let us realize that the physical body of man is identical in substance with all other forms of matter, and that its atoms are continually changing and being replaced, the material being drawn from the great storehouse of matter, and that there is a Oneness of matter underlying all apparent differences of form and substance. Read more