The Brahmanas

After the Samhitas there grew up the theological treatises called the Brahmanas, which were of a distinctly different literary type. They are written in prose, and explain the sacred significance of the different rituals to those who are not already familiar with them. (1) Read more

The Aranyakas

As a further development of the Brahmanas however we get the Aranyakas or forest treatises. These works were probably composed for old men who had retired into the forest and were thus unable to perform elaborate sacrifices requiring a multitude of accessories and articles which could not be procured in forests. Read more

Advancement of thought in the rig-Veda

Looking at the advancement of thought in the rig-Veda we find first that a fabric of thought was gradually growing which not only looked upon the universe as a correlation of parts or a construction made of them, but sought to explain it as having emanated from one great being who is sometimes described as one with the universe and surpassing it, and at other times as being separate from it; the agnostic spirit which is the mother of philosophic thought is seen at times to be so bold as to express doubts even on the most fundamental questions of creation–”Who knows whether this world was ever created or not?” Read more

The place of the Upanishads in Vedic literature

Though it is generally held that the Upanishads are usually attached as appendices to the Aranyakas which are again attached to the Brahmanas, yet it cannot be said that their distinction as separate treatises is always observed. Read more

The names of the Upanishads – Non-Brahmanic influence

The Upanishads are also known by another name Vedanta, as they are believed to be the last portions of the Vedas (veda-anta, end); it is by this name that the philosophy of the Upanishads, the Vedanta philosophy, is so familiar to us. A modern student knows that in language the Upanishads approach the classical Sanskrit; the ideas preached also show that they are the culmination of the intellectual achievement of a great epoch. Read more

The Kapila and the Patanjala Samkhya (Yoga)

The examination of the two ancient Nastika schools of Buddhism and Jainism of two different types ought to convince us that serious philosophical speculations were indulged in, in circles other than those of the Upanishad sages (1). Read more

The Mimamsa Literature

It is difficult to say how the sacrificial system of worship grew in India in the Brahmanas. This system once set up gradually began to develop into a net-work of elaborate rituals, the details of which were probably taken note of by the priests. As some generations passed and the sacrifices spread over larger tracts of India and grew up into more and more elaborate details, the old rules and regulations began to be collected probably as tradition had it, and this it seems gave rise to the smriti literature. Read more

Vedanta and Shankara

Vedanta philosophy is the philosophy which claims to be the exposition of the philosophy taught in the Upanishads and summarized in the Brahma-sutras of Badarayana. The Upanishads form the last part of the Veda literature, and its philosophy is therefore also called sometimes the Uttara-Mimamsa or the Mimamsa (decision) of the later part of the Vedas as distinguished from the Mimamsa of the previous part of the Vedas and the Brahmanas as incorporated in the Purvamimamsa sutras of Jaimini. Read more

Worship

THERE are four different forms of worship corresponding with four states (bhava);(1) The realization that the jivatma and paramatma are one, that everything is Brahman, and that nothing but the Brahman exists, is the highest state or brahma-bhava. Constant meditation by the yoga process upon the Devata in the heart is the lower and middlemost (dhyana-bhava), japa and stava (hymns and prayer) is still lower, and the lowest of all mere external worship (puja). Read more

Tapas

This term is generally translated as meaning penance or austerities. It includes these, such as the four monthly fasts (catur-masya), the sitting between five fires (pancagnitapah), and the like. It has, however, also a wider meaning, and in this wider sense is of three kinds, namely, sarira, or bodily; vacika, by speech; manasa, in mind. Read more

Purascarana

This form of sadhana consists in the repetition (after certain preparations and under certain conditions) of a mantra a large number of times. The ritual (1) deals with the time and place of performance, the measurements and decorations of the mandapa, or pandal, and of the altar and similar matters. There are certain rules as to food both prior to, and during, its performance. Read more