Yoga breathing

It is important for the history of Samkhya philosophy that Caraka’s treatment of it, which so far as I know has never been dealt with in any of the modern studies of Samkhya, should be brought before the notice of the students of this philosophy. Read more »

akasa, atman, auditory sense, cognition, five elements, five senses, illuminations, karma, manas, pleasure pain, purusha, samkhya philosophy, sense of touch, visual sense

When the mind has become pure the chances of its being ruffled by external disturbances are greatly reduced. At such a stage the yogin takes a firm posture (asana) and fixes his mind on any object he chooses. It is, however, preferable that he should fix it on Ishvara, for in that case Ishvara being pleased removes many of the obstacles in his path, and it becomes easier for him to attain success. Read more »

ananda, asana, concentration, external disturbances, impressions, objective world, obstacles, purusha, remembrance, samadhi, true knowledge

Kaula-dharma is in no wise sectarian, but, on the contrary, is the heart of all sects. This the true meaning of the phrase which, like many another touching the Tantra, is misunderstood, and used to fix the kaula with hypocrisy - antah-saktah, bahihsaivah, sabhayam vaisnavamatah, nana-rupadharah kaulah vicaranti mahitale; (outwardly Saivas; in gatherings, (1) Vaisnavas; at heart, Saktas; under various forms the Kaulas wander on earth). Read more »

cremation, funeral rites, gnosis, hamsa, heart, jnana, kaula, parama, passions, phases of the moon, pisaca, samsara, tantra

The object of all sadhana is the stimulation of the sattvaguna. When by such sadhana this guna largely preponderates, the sattvika sadhana suitable for men of a high type of divyabhava is adopted. In this latter sadhana the names of the pancatattva are used symbolically for operations of a purely mental and spiritual character. Read more »

akara, atma, fish, hamsa, kundalini, maithuna, mudra, pranayama, sadhana, spiritual character, wine, worshipper, yogini

Dhairya, or steadiness, is produced by pratyahara. Pratyahara, is the restraint of the senses, the freeing of the mind from all distractions, and the keeping of it under the control of the Atma. The mind is withdrawn from whatsoever direction it may tend by the dominant and directing Self. Pratyahara destroys the six sins. (1)

The S’aradatilaka defines pratyahara as indriyanam vicaratam visayesu baladaharanam tebhyah Pratyaharo vidhiyate (pratyahara is known as the forcible abstraction of the senses wandering over their objects).

abstraction, atma, restraint