Jnana Yoga
If you want a mirror, Look at this moment - respectfully. When you have learned to experience, not to try to hold on to events, thoughts and emotions, but to let them come and go with their own force. . . . Read more »
If you want a mirror, Look at this moment - respectfully. When you have learned to experience, not to try to hold on to events, thoughts and emotions, but to let them come and go with their own force. . . . Read more »
Though it is generally held that the Upanishads are usually attached as appendices to the Aranyakas which are again attached to the Brahmanas, yet it cannot be said that their distinction as separate treatises is always observed. Read more »
It is important for the history of Samkhya philosophy that Caraka’s treatment of it, which so far as I know has never been dealt with in any of the modern studies of Samkhya, should be brought before the notice of the students of this philosophy. Read more »
The Vaisheshika is so much associated with Nyaya by tradition that it seems at first sight quite unlikely that it could be supposed to represent an old school of Mimamsa, older than that represented in the Mimamsa sutras. But a closer inspection of the Vaisheshika sutras seems to confirm such a supposition in a very remarkable way. We have seen in the previous section that Caraka quotes a Vaisheshika sutra. Read more »
It is difficult to ascertain definitely the date of the Vaisheshika sutras by Kanada, also called Aulukya the son of Uluka, though there is every reason to suppose it to be pre-Buddhistic. It appears from the Vayu purana that he was born in Prabhasa near Dvaraka, and was the disciple of Somasharma. The time of Prashastapada who wrote a bhashya (commentary) of the Vaisheshika sutras cannot also unfortunately be ascertained. Read more »
It is difficult to say how the sacrificial system of worship grew in India in the Brahmanas. This system once set up gradually began to develop into a net-work of elaborate rituals, the details of which were probably taken note of by the priests. As some generations passed and the sacrifices spread over larger tracts of India and grew up into more and more elaborate details, the old rules and regulations began to be collected probably as tradition had it, and this it seems gave rise to the smriti literature. Read more »
From what we have said before it will be easy to see that Mimamsa agrees in the main with Vaisheshika about the existence of the categories of things such as the five elements, the qualities, rupa, rasa, etc. Kumarila’s differences on the points of jati, samavaya, etc. and Prabhakara’s peculiarities have also been mentioned before. On some of these points it appears that Kumarila was influenced by Samkhya thought rather than by Nyaya. Samkhya and Vaisheshika are the only Hindu systems which have tried to construct a physics as a part of their metaphysics; other systems have generally followed them or have differed from them only on minor matters. The physics of Prabhakara and Kumarila have thus but little importance, as they agree in general with the Vaisheshika view. In fact they were justified in not laying any special stress on this part, because for the performance of sacrifices the common-sense view of Nyaya-Vaisheshika about the world was most suitable. Read more »
It is difficult to ascertain the time when the Brahma-sutras were written, but since they contain a refutation of almost all the other Indian systems, even of the Shunyavada Buddhism (of course according to Shankara’s interpretation), they cannot have been written very early. I think it may not be far from the truth in supposing that they were written some time in the second century B.C. Read more »
Vedanta philosophy is the philosophy which claims to be the exposition of the philosophy taught in the Upanishads and summarized in the Brahma-sutras of Badarayana. The Upanishads form the last part of the Veda literature, and its philosophy is therefore also called sometimes the Uttara-Mimamsa or the Mimamsa (decision) of the later part of the Vedas as distinguished from the Mimamsa of the previous part of the Vedas and the Brahmanas as incorporated in the Purvamimamsa sutras of Jaimini. Read more »
The scene of the revelation of this Tantra is laid in Himalaya, the “Abode of Snow,” a holy land weighted with the traditions of the Aryan race. Here in these lofty uplands, encircled with everlasting snows, rose the great mountain of the north, the Sapta Kula Parvata. Read more »
Shakti is both maya, that by which the Brahman creating the universe is able to make Itself appear to be different from what It really is, and mula-prakriti, or the unmanifested (avyakta) state of that which, when manifest, is the universe of name and form. It is the primary so called “material cause,” consisting of the equipoise of the triad of guna or “qualities” which are sattva (that which manifests) rajas (that which acts), tamas (that which veils and produces inertia). The three gunas represent Nature as the revelation of spirit, Nature as the passage of descent from spirit to matter, or of ascent from matter to spirit, and Nature as the dense veil of spirit. The Devi is thus guna-nidhi (”treasure-house of guna” ). Read more »
The drift which I have so carefully described and you, I hope, have inspected in your own mind, is not a bad thing nor a disorderly one. It is the relaxed condition of the mind, and we can use it for resting when we are mentally tired. In the course of prolonged study involving mental effort we may stop awhile to rest and recuperate by simply leaning back, closing the eyes, relaxing the body — especially the neck — and quietly watching the mental drift. Read more »
THE Tantras speak of three temperaments, dispositions, characters (bhava), or classes of men namely, the pasu-bhava (animal), vira-bhava (heroic), and divya-bhava (deva-like or divine). These divisions are based on various modifications of the gunas as they manifest in man (jiva). It has been pointed out (1) that the analogous Gnostic classification of men as material, psychical and spiritual, correspond to the three gunas of the Samkhya-darsana. In. the pasu the rajo-guna operates chiefly on tamas, producing such dark characteristics as error (bhranti), drowsiness (tandra), and sloth (alasya). Read more »
THE Guru is the religious teacher and spiritual guide to whose direction orthodox Hindus of all divisions of worshippers submit themselves. There is in reality but one Guru. The ordinary human Guru is but the manifestation on the phenomenal plane of the Adinatha Maha-kala, the Supreme Guru abiding in Kailasa. (1) Read more »
By mantra the sought-for (sadhya) Devata is attained and compelled. By siddhi in mantra is opened the vision of the three worlds. Though the purpose of worship (puja), reading (patha), hymn (stava), sacrifice (homa), dhyana, dharana, and samadhi, and that of the diksa-mantra are the same, yet the latter is far more powerful, and this for the reason that, in the first, the sadhaka’s sadhana-sakti works, in conjunction with mantra-sakti which has the revelation and force of fire, and than which nothing is more powerful. Read more »
Japa is defined as “vidhanena mantroccaranam”, or the repeated utterance or recitation of mantra according to certain rules.(1) It is according to the Tantrasara of three kinds: Vacika or verbal japa, in which the mantra is audibly recited, the fifty matrkas being sounded nasally with bindu; Upamsu-japa, which is superior to the last kind, and in which the tongue and lips are moved, but no sound, or only a slight whisper, is heard; and, lastly, the highest form which is called manasa-japa, or mental utterance. In this there is neither sound nor movement of the external organs, but a repetition in the mind which is fixed on the meaning of the mantra. Read more »
The Tantra enforces the Vaidik rule in the cases, ritual or otherwise, for those who are governed by the vaidikacara. The Nitya-Tantra says: ‘(They (pasu) should never worship the Devi during the latter part of the day, in the evening or at night” (ratrau naiva yajeddevim samdhyayam va paranhake); for all such worship connotes maithuna prohibited to the pasu. In lieu of it, varying substitutes (1) are prescribed, such as either an offering of flowers with the hands formed into the kaccapamudra, or union with the worshipper’s own wife. Read more »
The object of all sadhana is the stimulation of the sattvaguna. When by such sadhana this guna largely preponderates, the sattvika sadhana suitable for men of a high type of divyabhava is adopted. In this latter sadhana the names of the pancatattva are used symbolically for operations of a purely mental and spiritual character. Read more »
Worship with the pancatattva generally takes place in an assembly called a cakra, which is composed of men (sadhaka) and women (sakti), or Bhairava and Bhairavi. Read more »
Through dhyana is gained the third quality of realization or pratyaksa. Dhyana, or meditation, is of three kinds: (1) sthula, or gross; (2) jyotih; (3) suksma, or subtle.* Read more »
Karma is action, its cause, and effect. There is no uncaused action, nor action without effect. The past, the present, and the future are linked together as one whole. The iccha, jnana, and kriya saktis manifest in the jivatma living on the worldly plane as desire, knowledge, and action. Read more »