Kundalini yoga is known as one of the most powerful types of yoga. Sometimes it was called the mother of all the Styles of Yoga. This type of yoga awakens the energy at the base of our spine which is known as the Muladhara Chakra.
ajna, biological energy, creative energy, dormant energy, fundamental resource, higher self, kunda, manipura, muladhara chakra, power and energy, primal force, rajas, sadhana, sahasrara, sakti, source energy, three gunas, yoga kundalini Pancashikha speaks of the ultimate truth as being avyakta (a term applied in all Samkhya literature to prakriti) in the state of purusha (purusavasthamavyaktam). If man is the product of a mere combination of the different elements, then one may assume that all ceases with death. Read more »
annihilation, atman, existence, gunas, moksha, moral responsibility, purusha, renunciation The earliest descriptions of a Samkhya which agrees with Ishvarakrishna’s Samkhya (but with an addition of Ishvara) are to be found in Patanjali’s Yoga sutras and in the Mahabharata; but we are pretty certain that the Samkhya of Caraka we have sketched here was known to Patanjali, for in Yoga sutra I. 19 a reference is made to a view of Samkhya similar to this. Read more »
history of philosophy, kapila, mahabharata, oneness, patanjali, purusha, siddhis, upanishad, yoga sutra, yoga sutras A word of explanation is necessary as regards my interpretation of the Samkhya-Yoga system. The Samkhya karika is the oldest Samkhya text on which we have commentaries by later writers. Read more »
commentaries, gunas, intelligence, reference to, sutras, upanishads, yoga system These three types of ultimate subtle entities are technically called guna in Samkhya philosophy (1). Read more »
abstract qualities, gunas, mental qualities, purusha, samkhya philosophy, sanskrit Samkhya believes that before this world came into being there was such a state of dissolution–a state in which the guna compounds had disintegrated into a state of disunion and had by their mutual opposition produced an equilibrium the prakriti. Read more »
Cosmic Evolution, gunas, manifestation, mutual opposition, phenomenal product, phenomenon, rajas, resistance, sattva, tendencies But how or rather why prakriti should be disturbed is the most knotty point in Samkhya. It is postulated that the prakriti or the sum-total of the gunas is so connected with the purushas, and there is such an inherent teleology or blind purpose in the lifeless prakriti, that all its evolution and transformations tike place for the sake of the diverse purushas, to serve the enjoyment of pleasures and sufferance of pain through experiences, and finally leading them to absolute freedom or mukti. Read more »
absolute freedom, cessation, equilibrium, evolution, gunas, intense activity, mukti, mutual opposition, passive state, samsara The question is raised, how can the prakriti supply the deficiencies made in its evolutes by the formation of other evolutes from them? When from mahat some tanmatras have evolved, or when from the tanmatras some atoms have evolved, how can the deficiency in mahat and the tanmatras be made good by the prakriti? (1). Read more »
cause and effect, concomitant conditions, gross body, gunas, karana, latent powers, manifestation, material cause, potential energy, shakti, ultimate energy It is easy to see from what we have already said that any collocation of atoms forming a thing could not change its form, unless the barrier inherent or caused by the formation of the present collocation could be removed by some other extraneous instrumental cause. Read more »
energy flows, equilibrium, infinite objects, kashmere, natural barriers, tejas Granted that the interchange of the positions of the infinite number of reals produce all the world and its transformations; whence comes this fixed order of the universe, the fixed order of cause and effect, the fixed order of the so-called barriers which prevent the transformation of any cause into any effect or the first disturbance of the equilibrium of the prakriti? Read more »
cause and effect, equilibrium, faculties, gunas, material objects, mental plane, order of the universe, samsara, subjective experiences, teleology, tendency The question again arises that though purusha is pure intelligence, the gunas are non-intelligent subtle substances, how can the latter come into touch with the former? Read more »
gunas, impurity, inference, intelligence, moral responsibility, purity, purusha, real person, reflection, sattva, self consciousness, transformations, virtue Samkhya and the Yoga, like the Buddhists, hold that all experience is sorrowful. Tamas, we know, represents the pain substance. As tamas must be present in some degree in all combinations, all intellectual operations are fraught with some degree of painful feeling (1). Read more »
buddhists, happiness, mukti, pleasures, sacrifice, sacrifices, samkhya philosophy, sorrow, tamas, vedic, worldly experience When the mind has become pure the chances of its being ruffled by external disturbances are greatly reduced. At such a stage the yogin takes a firm posture (asana) and fixes his mind on any object he chooses. It is, however, preferable that he should fix it on Ishvara, for in that case Ishvara being pleased removes many of the obstacles in his path, and it becomes easier for him to attain success. Read more »
ananda, asana, concentration, external disturbances, impressions, objective world, obstacles, purusha, remembrance, samadhi, true knowledge The Vaisheshika is so much associated with Nyaya by tradition that it seems at first sight quite unlikely that it could be supposed to represent an old school of Mimamsa, older than that represented in the Mimamsa sutras. But a closer inspection of the Vaisheshika sutras seems to confirm such a supposition in a very remarkable way. We have seen in the previous section that Caraka quotes a Vaisheshika sutra. Read more »
aphorisms, cognition, demerit, dharma, enumerated, gunas, samskara, sense qualities, sneha, supposition, universality The Vaisheshika sutras begin with the ostensible purpose of explaining virtue (dharma) (I.i. 1) and dharma according to it is that by which prosperity (abhyudaya) and salvation (nihshreyasa) are attained. Then it goes on to say that the validity of the Vedas depends on the fact that it leads us to prosperity and salvation. Then it turns back to the second sutra and says that salvation comes as the result of real knowledge, produced by special excellence of dharma, of the characteristic features of the categories of substance (dravya), quality (guna), class concept (samdanya), particularity (vishesha), and inherence (samavayay) (1). Read more »
dharma, effect karma, guna, karma karma, material cause, odour, sutras, water fire Of the six classes of entities or categories (padartha) we have already given some account of dravya (1). Let us now turn to the others. Of the qualities (guna) the first one called rupa (colour) is that which can be apprehended by the eye alone and not by any other sense. The colours are white, blue, yellow, red, green, brown and variegated (citra). Colours are found only in kshiti, ap and tejas. The colours of ap and tejas are permanent (nitya), but the colour of kshiti changes when heat is applied, and this, Shridhara holds, is due to the fact that heat changes the atomic structure of kshiti (earth) and thus the old constitution of the substance being destroyed, its old colour is also destroyed, and a new one is generated. Rupa is the general name for the specific individual colours. There is the genus rupatva (colourness), and the rupa guna (quality) is that on which rests this genus; rupa is not itself a genus and can be apprehended by the eye. Read more »
akasha, atomic structure, guna, katu, natural taste, nitya, rasa, rupa, tejas, vayu The Nyaya-Vaisheshika in most of its speculations took that view of things which finds expression in our language, and which we tacitly assume as true in all our ordinary experience. Thus they admitted dravya, guna, karma and samanya, Vishesha they had to admit as the ultimate peculiarities of atoms, for they did not admit that things were continually changing their qualities, and that everything could be produced out of everything by a change of the collocation or arrangement of the constituting atoms. Read more »
antecedent, atoms, axiom, guna, hypothesis, karma, material cause, molecular movement, speculations, unseen power The naiyayikas admitted only the five cognitive senses which they believed to be composed of one or other of the five elements. These senses could each come in contact with the special characteristic of that element of which they were composed. Thus the ear could perceive sound, because sound was the attribute of akasha, of which the auditory sense, the ear, was made up. The eye could send forth rays to receive the colour, etc., of things. Thus the cognitive senses can only manifest their specific objects by going over to them and thereby coming in contact with them. The cognitive senses (vak, pani, pada, payu, and upastha) recognized in Samkhya as separate senses are not recognized here as such for the functions of these so-called senses are discharged by the general motor functions of the body. Read more »
akasha, auditory sense, cognition, cognitive, concrete experience, five elements, motor functions, perception, perceptual process, right knowledge, senses, vak That eternal immutable existence which transcends the turiya and all other states is the unconditioned Absolute, the supreme Brahman or Para-brahman, without Prakriti (nishkala) or Her attributes (nir-guna), which, as being the inner self and knowing subject, can never be the object of cognition, and is to be apprehended only through yoga by the realization of the Self (atmajñana), which It is. For as it is said, “Spirit can alone know Spirit.” Being beyond mind, speech, and without name, the Brahman was called “Tat,” “That,” and then “Tat Sat,” “That which is.” For the sun, moon, and stars, and all visible things, what are they but a glimpse of light caught from “That” (Tat)? Read more »
ananda, brahma, chaitanya, glimpse of light, guna, human speech, kala, rupa, sarada, shakti, shiva, spirit, sun moon, supreme brahman Shakti is both maya, that by which the Brahman creating the universe is able to make Itself appear to be different from what It really is, and mula-prakriti, or the unmanifested (avyakta) state of that which, when manifest, is the universe of name and form. It is the primary so called “material cause,” consisting of the equipoise of the triad of guna or “qualities” which are sattva (that which manifests) rajas (that which acts), tamas (that which veils and produces inertia). The three gunas represent Nature as the revelation of spirit, Nature as the passage of descent from spirit to matter, or of ascent from matter to spirit, and Nature as the dense veil of spirit. The Devi is thus guna-nidhi (”treasure-house of guna” ). Read more »
brahman, coiled serpent, guna, kundalini, material cause, maya, mula, prana, shakti, spirit and nature, three and a half, triad, universe, womb It cannot be said that current explanations give a clear understanding of this subject. Yet such is necessary, both as affording one of the chief keys to Indian philosophy and to the principles which govern Sadhana. The term guna is generally translated “quality,” a word which is only accepted for default of a better. For it must not be overlooked that the three guna (Sattva, rajas, and tamas), which are of Prakriti, constitute Her very substance. This being so, all Nature which issues from Her, the Maha-karana-svarupa, is called tri-gunatmaka, and is composed of the same guna in different states of relation to one another. The functions of sattva, rajas, and tamas are to reveal, to make active, and to suppress respectively. Rajas is the dynamic, as sattva and tamas are static principles. That is to say, sattva and tamas can neither reveal nor suppress without being first rendered active by rajas. These gunas work by mutual suppression. Read more »
animal creation, deva, divya, guna, indian philosophy, jiva, karana, maha, manifestation, principles, rajas, sadhana, sattva, stable equilibrium, suppression, tamas IN this chapter I must allow myself to use certain Sanskrit words which have technical importance in the study of the mind and the world. Mantra is one of them. In connection with meditation it refers to words or sentences which are repeated over and over again while the mind is intent upon their meaning. Read more »
gunas, mantra, mantras, practice meditation, rajas, recitations, repetition, sanskrit words, tamas, upanishad Ajna-cakra is also called parama-kula and mukta, tri-veni, since it is from here that the three nadis - Ida, Pingala and Susumna - go their separate ways. It is a two petalled lotus, situated between the two eyebrows. In this cakra there is no gross Tattva, but the subtle Tattva mind is here. Hakarardha, or half the letter Ha, is also there. On its petals are the red varnas “ham” and “ksam” Read more »
ajna, cakra, gunas, hamsa, jnana, ksam, linga, mukta, nadis, om, parama, petals, rajas, sattva, siddha, visnu Above the ajna-cakra there is another secret cakra called manas-cakra. It is a lotus of six petals, on which are sabda-jnana, sparsa-jnana, rupa-jnana, aghranopalabhi, rasopabhoga, and svapna, or the faculties of hearing, touch, sight, smell, taste, and sleep, or the absence of these. Above this, again, there is another secret cakra, called Soma-cakra. Read more »
ajna, bindu, cakra, dhyana meditation, feet of the guru, hamsa, jnana, kala, kalas, nada, nectar, nirvana, sabda, soma, thousand petalled lotus, vinaya THE Tantras speak of three temperaments, dispositions, characters (bhava), or classes of men namely, the pasu-bhava (animal), vira-bhava (heroic), and divya-bhava (deva-like or divine). These divisions are based on various modifications of the gunas as they manifest in man (jiva). It has been pointed out (1) that the analogous Gnostic classification of men as material, psychical and spiritual, correspond to the three gunas of the Samkhya-darsana. In. the pasu the rajo-guna operates chiefly on tamas, producing such dark characteristics as error (bhranti), drowsiness (tandra), and sloth (alasya). Read more »
afflictions, darsana, divya, gunas, jiva, kularnava tantra, lajja, moha, pasu, tandra, tantras, vira There are seven, or, as some say, nine, divisions of worshippers. The extra divisions are bracketed in the following quotation. The Kularnava-Tantra mentions seven, which are given in their order of superiority, the first being the lowest: Vedacara, Vaisnavacara, Saivacara, Daksinacara, Vamacara, Siddhantacara, (Aghoracara,(1) Yogacara), and Kaulacara, the highest of all.(2) Read more »
acara, bhakti, devotion, dharma, dhyana, gross body, jnana, kalika, kaula, kularnava tantra, subtle bodies, worshipper By mantra the sought-for (sadhya) Devata is attained and compelled. By siddhi in mantra is opened the vision of the three worlds. Though the purpose of worship (puja), reading (patha), hymn (stava), sacrifice (homa), dhyana, dharana, and samadhi, and that of the diksa-mantra are the same, yet the latter is far more powerful, and this for the reason that, in the first, the sadhaka’s sadhana-sakti works, in conjunction with mantra-sakti which has the revelation and force of fire, and than which nothing is more powerful. Read more »
bija, hymns of praise, mantra, mantras, monosyllabic, nitya, nyasa, puja, quintessence, saumya, tantrik There are as already stated, three classes of men - Pasu, Vira, and Divya. The operation of the gunas which produce these types affect, on the gross material plane, the animal tendencies, manifesting in the three chief physical functions - eating and drinking, whereby the annamayakosa is maintained, and sexual intercourse, by which it is reproduced. These functions are the subject of the pancatattva or pancamakara (”five m’s”), as they are vulgarly called - viz : madya (wine), mamsa (meat), matsya (fish), mudra (parched grain), and maithuna (coition). Read more »
coition, divya, five elements, gunas, maithuna, mudra, pasu, sadhana, sexual energy, sexual intercourse, symbolic equivalent, tantra, tantric ritual, true hero, vira The piercing of the six chakras is one of the most important subjects dealt with in the Tantra, and is part of the practical yoga process of which they treat. Details of practice (1) can only be learnt from a Guru, but generally it may be said that the particular is raised to the universal life, which as cit is realizable only in the sahasrara in the following manner: The jivatma in the subtle body, the receptacle of the five vital airs (panca-prana), mind in its three aspects of manas, ahamkara, and buddhi, and the five organs of perception (pancajnanendriyas) is united with the Kulakundalini. The Kandarpa or Kama Vayu in the muladhara, a form of the Apana-Vayu, is given a leftward revolution and the fire wich is around Kundalini is kindled. By the bija “Hum,” and the heat of the fire thus kindled, the coiled and sleeping Kundalini is awakened. She who lay asleep around svayambhu-linga, with her coils three circles and a half closing the entrance of the brahmadvara, will, on being roused, enter that door and move upwards, united with the jivatma. Read more »
apas, bija, chakras, dakini, deva, kundalini, lam, lotus, prana, sarasvati, savitri, vam, vayu
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