Yoga breathing

Muladhara (1) is a triangular space in the midmost portion of the body, with the apex turned downwards like a young girl’s yoni. It is described as a red lotus of four petals, situate between the base of the sexual organ and the anus. “Earth” evolved from “water” is the Tattva of the cakra. On the four petals are the four golden varnas - “vam”, “śam”, “şam” and “sam”.(2) Read more »

brahma, brahman, cakra, creative desire, earth mandala, kundalini, linga, natural bliss, petals, red lotus, savitri, sexual organ, triangle, vayu

Svadhisthana is a six-petalled lotus at the base of the sexual organ, above muladhara and below the navel. Its pericarp is red, and its petals are like lightning. Read more »

bham, bija, cakra, half moon, makara, navel, saraswati, sexual organ, varuna, yam

Mani-pura-cakra (1) is a ten-petalled golden lotus, situated above the last in the region of the navel. “Fire” evolved from “air” is the Tattva of the cakra. The ten petals are of the colours of a cloud, and on them are the blue varnas - “dam”, “dham”, “nam”, “tam”, “tham”, “dam”, “dham”, “nam”, “pam”, “pham” - and the ten vrttis (vide ante), namely, lajja (shame), pisunata (fickleness), irsa (jealousy), trsna (desire), susupti (laziness), (2) visada (sadness), kasaya (dullness), moha (ignorance), ghrna (aversion, disgust), bhaya (fear). Read more »

agni, auspicious signs, bhaskara, cakra, golden lotus, lord of fire, moha, molten gold, rudra, samaya, solar region

Anahata-cakra is a deep red lotus of twelve petals, situate above the last and in the region of the heart, which is to be distinguished from the heart-lotus facing upwards of eight petals, spoken of in the text, where the patron deity (Ista-devata) is meditated upon. “Air” evolved from “ether” is the Tattva of the former lotus. On the twelve petals are the vermilion varnas - “Kam”, “Kham” “Gam”, “Gham”, “ngam”, “cam”, “Cham”, “Jam”, “Jham”, “jnam”, “Tam”, “Tham” and the twelve vrttis (vide ante-namely, asa (hope), cinta (care, anxiety), cesta (endeavour), mamata (sense of mineness),(1) dambha (arrogance or hypocrisy) vikalata (langour), ahamkara (conceit), viveka (discrimination), lolata (covetousness), kapatata (duplicity), vitarka (indecision), anutapa (regret). Read more »

anahata, atma, cakra, heart, ista, lolata, mandala, pericarp, petals, red lotus

Visuddha-cakra or Bharatisthana, abode of the Devi of speech, is above the last and at the lower end of the throat (kantha-mula). The Tattva of this cakra is “ether”. The lotus is of a smoky colour, or the colour of fire seen through smoke. It has sixteen petals, which carry the red vowels - “am”, “âm”, “im” “îm” “um” “ûm” “rm” “ŗm” “1m”, “1m”, “em”, “aim”, “om”, “aum”, am”, “ah”; the seven musical notes (nisada, rsabha, gandhara, sadja, madhyama, dhaivata and pancama): “venom” (in the eighth petal); the bijas “hum”, “phat”, “vausat”, “vasat “, “svadha”, “svaha”, “namah”, and in the sixteenth petal, nectar (amrta). Read more »

akasa, aum, cakra, desire, ether, mudras, om, petals, red lotus, santosha, tantras

Ajna-cakra is also called parama-kula and mukta, tri-veni, since it is from here that the three nadis - Ida, Pingala and Susumna - go their separate ways. It is a two petalled lotus, situated between the two eyebrows. In this cakra there is no gross Tattva, but the subtle Tattva mind is here. Hakarardha, or half the letter Ha, is also there. On its petals are the red varnas “ham” and “ksam” Read more »

ajna, cakra, gunas, hamsa, jnana, ksam, linga, mukta, nadis, om, parama, petals, rajas, sattva, siddha, visnu

Sabda, or sound, which is of the Brahman, and as such the cause of the Brahmanda, is the manifestation of the Cit-sakti itself. The Visva-sara-Tantra says (1) that the Para-brahman, as Sabda-brahman, whose substance is all mantra, exists in the body of the jivatma. It is either unlettered (dhvani) or lettered (varna). The former, which produces the latter, is the subtle aspect of the jiva’s vital sakti. Read more »

akasa, body waves, brahman, ethereal space, external manifestation, inhalation and exhalation, jiva, letters of the alphabet, mantra, nada, prana, sabda, space waves, varna, vayu, waves of sound

By mantra the sought-for (sadhya) Devata is attained and compelled. By siddhi in mantra is opened the vision of the three worlds. Though the purpose of worship (puja), reading (patha), hymn (stava), sacrifice (homa), dhyana, dharana, and samadhi, and that of the diksa-mantra are the same, yet the latter is far more powerful, and this for the reason that, in the first, the sadhaka’s sadhana-sakti works, in conjunction with mantra-sakti which has the revelation and force of fire, and than which nothing is more powerful. Read more »

bija, hymns of praise, mantra, mantras, monosyllabic, nitya, nyasa, puja, quintessence, saumya, tantrik

This word in its most general sense means an instrument, or that by which anything is accomplished. In worship it is that by which the mind is fixed on its object. The Yogini-Tantra says that the Devi should be worshipped either in pratima (image), mandala, (1) or yantra.(2) At a certain stage of spiritual progress the sadhaka is qualified to worship yantra. The siddha-yogi In inward worship (antar-puja) commences with the worship of yantra which is the sign (samketa) of brahma-vijnana as the mantra is the samketa of the Devata, It is also said that yantra is so called because it subdues (niyantrana) lust, anger, and the other sins of jiva and the sufferings caused thereby.(3) Read more »

akara, bija, gayatri yantra, hrim, jiva, letters of the alphabet, lotus petals, mantra, prasada, pratima, siddha, spiritual progress, vidya, yantras, yogini

The Vaidiki samdhya is the rite performed by the twice-born castes thrice a day, at morning, midday, and evening. The morning samdhya is preceded by the following acts. On awakening, a mantra is said in invocation of the Tri-murti and the sun, moon, and planets, and salutation is made to the Guru. The Hindu dvi-ja then recites the mantra: “I am a Deva - I am indeed the sorrowless Brahman. By nature I am eternally free, and in the form of existence, intelligence, and bliss. Read more »

deva, gayatri devi, gayatri mantra, guru, invocation, japa, kusa, mantras, om, prana, pranayama, salutation, tantrika, twice born

This word is the common term for worship of which there are numerous synonyms in the Sanskrit language.(1) Puja is done daily of the Ista-devata or the particular Deity worshipped by the sadhaka - the Devi in the case of a Sakta, Visnu in the case of a Vaisnava, and so forth. Read more »

asana, ganesa, ista, puja, sanskrit language, visnu

The bodies of the Devata are composed of the fifty matrkas. The sadhaka, therefore, first sets mentally (antar matrka-nyasa) in their several places in the six cakras, and then externally by physical action (Bahyamatrkanyasa) the letters of the alphabet which form the different parts of the body of the Devata, which is thus built up in the sadhaka himself. He places his hand on different parts of his body, uttering distinctly at the same time the appropriate matrka for that part. Read more »

ajna, anahata, bindu, ksam, letters of the alphabet, lotus, mental disposition, nyasa, om, vam, vowels

From pranayama (q.v.) arises laghava (lightness).
All beings say the ajapa-Gayatri, which is the expulsion of the breath by Hamkara, and its inspiration by Sahkara, 21,600 times a day. Ordinarily, the breath goes forth a distance of 12 fingers’ breadth, but in singing, eating, walking, sleeping, coition, the distances are 16, 20, 24, 30, and 36 breadths respectively. Read more »

bija, coition, exhalation, gayatri, guru, inspiration, japa, nadi, nyasa, pranayama, vital airs

The piercing of the six chakras is one of the most important subjects dealt with in the Tantra, and is part of the practical yoga process of which they treat. Details of practice (1) can only be learnt from a Guru, but generally it may be said that the particular is raised to the universal life, which as cit is realizable only in the sahasrara in the following manner: The jivatma in the subtle body, the receptacle of the five vital airs (panca-prana), mind in its three aspects of manas, ahamkara, and buddhi, and the five organs of perception (pancajnanendriyas) is united with the Kulakundalini. The Kandarpa or Kama Vayu in the muladhara, a form of the Apana-Vayu, is given a leftward revolution and the fire wich is around Kundalini is kindled. By the bija “Hum,” and the heat of the fire thus kindled, the coiled and sleeping Kundalini is awakened. She who lay asleep around svayambhu-linga, with her coils three circles and a half closing the entrance of the brahmadvara, will, on being roused, enter that door and move upwards, united with the jivatma. Read more »

apas, bija, chakras, dakini, deva, kundalini, lam, lotus, prana, sarasvati, savitri, vam, vayu